Educational guide Faculty of Arts |
english |
Graduate in the History of Art |
Subjects |
HISTORY OF THE CINEMA IN SPAIN |
Contents |
IDENTIFYING DATA | 2013_14 |
Subject | HISTORY OF THE CINEMA IN SPAIN | Code | 12214217 | |||||
Study programme |
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Cycle | 1st | |||||
Descriptors | Credits | Type | Year | Period | ||||
6 | Optional | Fourth | Second |
Competences | Learning outcomes | Contents |
Planning | Methodologies | Personalized attention |
Assessment | Sources of information | Recommendations |
Topic | Sub-topic |
1. Primary concepts. | 1.1. Chronology. 1.2. Research filmmaking. 1.3. Conservation films. |
2. Pioneers of Spanish cinema (1898-1910). | 2.1. Arrival of cinema in Spain. 2.2. First Spanish film. 2.3. Sideshow: Public and expansion. 2.4. First subjects of the films. 2.5. Big names (Chomón, Marr, Bathrooms and Others) |
3. Industrialization (1911-1930). |
3.1. New venues and new audiences. 3.2. New movies. 3.3. Industrial centers: Madrid-Barcelona-Valencia. 3.4. New directors. |
4. The talkies in the Second Republic. | 4.1. Advent of sound. 4.2. Industrial infrastructures. 4.3. Directors. 4.4. Genres. 4.5. The cinema during the Civil War. |
5. The cinema of the Franco autarchy. | 5.1. Franco Control. 5.2. Reconstruction of the industry. 5.3. Thematic models. 5.4. Filmmakers of the regime. |
6. Attempts to recover (1950-1961). | 6.1. The case of "grooves". 6.2. I Bardem Berlanga. 6.3. Salamanca Talks 6.4. Thematic models and new directors. |
7. Development at present. | 7.1. The "New Spanish Cinema" 7.2. International presence of Spanish cinema 7.3.El cinema as an ideological weapon. 7.4. The transition. 7.5. Current Spanish cinema. |